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| Complementary Colours: Sue White |
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| Kathleen De Vreese |
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| Margaret Travers |
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| Robina Maslen |
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| Jane Stuchbury |
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| Red/Green and colour mixes: Caroline Lamoon |
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| Sue White |
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| Mark Making exercise in pairs |
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| Left: Alison Culverwell & Fliss Carlton. Right: Jane Stuchbury & Jacqueline Summer |
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| Joan Richards & Margaret Travers |
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| Individual Mark making: Kathleen De Vreese |
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| Individual Mark making: Fliss Carlton |
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| Sue White Below are a selection of pages from Sue's sketch book which show the development of ideas that led to this painting above. |
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| Sue White |
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| Sue White |
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| Jane Fisher completed her work in progress |
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| And another painting: Jane Fisher |
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| Caroline Lamoon explored the qualities of acrylic paint after a year of watercolour painting |
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| Caroline Lamoon |
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| Lesley Sharp painted personal objects meaningful in her family |
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| Catherine Morgan wanted to paint something more seasonal |
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| Nina Dhiman completed her work in progress |
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| Nina Dhiman created another Still Life in one session |
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| Julie Page : African Series 1 |
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| Julie Page: African Series 2 |
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| Cornelia Verwijs |
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| Nina Dhiman |
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| Cornelia Verwijs |
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| Julie Page |
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| Cornelia Verwijs: some surprising colour mixes emerged... |
